2022 七人乐队 七人樂隊/又名: 八部半 / Eight & A Half / Septet: The Story Of Hong Kong自上世纪五十年代直至未来，七位殿堂级导演各自抽签负责一个年代，执导一个与香港有关的故事。《七人乐....展开全部2022 七人乐队 七人樂隊/又名: 八部半 / Eight & A Half / Septet: The Story Of Hong Kong自上世纪五十年代直至未来，七位殿堂级导演各自抽签负责一个年代，执导一个与香港有关的故事。《七人乐队》片名寓意各有风格才华的导演，尤如出色的乐手，走在一起便能合奏出令人共鸣的美妙乐章。其中包括洪金宝的《练功》、许鞍华的《校长》、谭家明的《别夜》、袁和平的《回归》、杜琪峯的《遍地黄金》、林岭东的《迷路》，及徐克的《深度对话》。其中林岭东的《迷路》更是导演的最后遗作。 《练功》：50年代，一群拜师学艺的孩子在师父严厉的督导下勤练功夫。徒弟与师父间的默契在呼喝声中形成，而躲懒受罚的那天也可成为一生难忘的转机。 《校长》：60年代，社会清贫，但求学者众。一位执笔忘饭的校长与善良淡雅的王老师让一座天台学校成为童年岁月里最温暖的家。 《别夜》：叶嘉琳与余雁飞，在80年代香港依然美丽的夕照中相恋。女方一家移民海外，二人无奈承受离别之苦，只余下相爱的记忆。 《回归》：90年代，儿子举家移民，孙女却因学业暂时留在香港爷爷家。爷孙两人隔代沟通，妙趣横生。在生活中消解代沟，隔阂打破，亲情更上一层楼。 《遍地黄金》：2003年沙士时期，大时代下三个小市民的发达白日梦。三人常胡扯投资大计，妄想一夜致富。一番进退争论后，总是错失发达机会。 《迷路》：2018年的新春，丈夫回到香港与妻儿团聚，当他拿着旧照片在日新月异的香港街头追忆当年时，却彻底迷失了方向。最后，回忆不幸化成追忆。 《深度对话》：未来，某所精神病医院正在进行一项关于精神分裂的研究。四位参与者投入忘我表演，已然分不清真正身份，到底谁是医生？谁是病人？Zì shàng shìjì wǔshí niándài zhízhì wèilái, qī wèi diàntáng jí dǎoyǎn gèzì chōuqiān fùzé yīgè niándài, zhídǎo yīgè yǔ xiānggǎng yǒuguān de gùshì.“Qī rén yuèduì” piàn míng yùyì gè yǒu fēnggé cáihuá de dǎoyǎn, yóu rú chūsè de yuè shǒu, zǒu zài yīqǐ biàn néng hézòu chū lìng rén gòngmíng dì měimiào yuèzhāng. Qízhōng bāokuò hóngjīnbǎo de “liàngōng”, xǔ'ānhuá de “xiàozhǎng”, tánjiāmíng de “bié yè”, yuánhépíng de “huíguī”, dù qí fēng de “biàndì huángjīn”, lín lǐng dōng de “mílù”, jí xú kè de “shēndù duìhuà”. Qízhōng lín lǐng dōng de “mílù” gèng shì dǎoyǎn de zuìhòu yí zuò. “Liàngōng”:50 Niándài, yīqún bàishī xué yì de háizi zài shīfu yánlì de dūdǎo xià qín liàn gōngfū. Túdì yǔ shīfu jiān de mòqì zài hū hē shēng zhōng xíngchéng, ér duǒ lǎn shòufá dì nèitiān yě kě chéngwéi yīshēng nánwàng de zhuǎnjī. “Xiàozhǎng”:60 Niándài, shèhuì qīngpín, dàn qiúxué zhě zhòng. Yī wèi zhíbǐ wàng fàn de xiàozhǎng yǔ shànliáng dànyǎ de wáng lǎoshī ràng yīzuò tiāntái xuéxiào chéngwéi tóngnián suìyuè lǐ zuì wēnnuǎn de jiā. “Bié yè”: Yèjiālín yǔ yúyànfēi, zài 80 niándài xiānggǎng yīrán měilì de xìzhào zhōng xiāng liàn. Nǚfāng yījiā yímín hǎiwài, èr rén wúnài chéngshòu líbié zhī kǔ, zhǐ yúxià xiāng'ài de jìyì. “Huíguī”:90 Niándài, érzi jǔ jiā yímín, sūnnǚ què yīn xuéyè zhànshí liú zài xiānggǎng yéyé jiā. Yé sūn liǎng rén gé dàigōutōng, miàoqùhéngshēng. Zài shēnghuó zhōng xiāojiě dài gōu, géhé dǎpò, qīnqíng gèng shàng yī céng lóu. “Biàndì huángjīn”:2003 Nián shā shì shíqí, dà shídài xià sān gè xiǎoshìmín de fǎ dá bái rì mèng. Sān rén cháng húchě tóuzī dàjì, wàngxiǎng yīyè zhìfù. Yī fān jìntuì zhēnglùn hòu, zǒng shì cuòshī fādá jīhuì. “Mílù”:2018 Nián de xīnchūn, zhàngfū huí dào xiānggǎng yǔ qī ér tuánjù, dāng tā názhe jiù zhàopiàn zài rìxīnyuèyì de xiānggǎng jiētóu zhuīyì dāngnián shí, què chèdǐ míshīle fāngxiàng. Zuìhòu, huíyì bùxìng huàchéng zhuīyì. “Shēndù duìhuà”: Wèilái, mǒusuǒ jīngshénbìng yīyuàn zhèngzài jìnxíng yī xiàng guānyú jīngshén fēnliè de yánjiū. Sì wèi cānyù zhě tóurù wàngwǒ biǎoyǎn, yǐrán fēn bù qīng zhēnzhèng shēnfèn, dàodǐ shéi shì yīshēng? Shéi shì bìngrén?From the 1950s to the future, seven hall-level directors have drawn lots for each year and directed a story related to Hong Kong. The title of "The Band of Seven" implies that directors with different styles and talents, such as outstanding musicians, can compose beautiful movements that resonate together when they walk together. These include Sammo Hung's "Practice", Xu Anhua's "The Principal", Tan Jiaming's "Farewell to the Night", Yuan Heping's "Return", To Qifeng's "Everywhere Gold", Lin Lingdong's "Lost", and Tsui Hark's "Depth" dialogue". Among them, Lin Lingdong's "Lost" is the director's last posthumous work."Practice": In the 1950s, a group of children who studied art under the strict supervision of the master practiced kung fu diligently. The tacit understanding between the apprentice and the master is formed in the sound of shouting, and the day of being lazy and punished can also become an unforgettable turning point in a lifetime."Principal": In the 1960s, the society was poor, but there were many scholars. A principal who forgets to write and the kind and elegant teacher Wang make a rooftop school the warmest home in childhood."Farewell to the Night": Ye Jialin and Yu Yanfei fell in love in the still beautiful sunset in Hong Kong in the 1980s. The woman's family immigrated overseas, and the two had no choice but to endure the pain of parting, leaving only the memory of falling in love."Return": In the 1990s, my son immigrated with his family, but his granddaughter temporarily stayed at his grandfather's house in Hong Kong due to her studies. The grandfather and grandson communicate across generations, which is full of fun. Eliminate the generation gap in life, break the estrangement, and take the family relationship to a higher level."Golden Everywhere": During the SARS period in 2003, the developed daydreams of three small townspeople in the great era. The three often talk nonsense about investment plans, delusional about getting rich overnight. After a lot of arguments about advancing and retreating, the opportunity for development is always missed."Lost": In the Spring Festival of 2018, the husband returned to Hong Kong to reunite with his wife and children. When he took old photos to reminisce on the streets of Hong Kong with each passing day, he completely lost his way. In the end, memories unfortunately turn into memories."Deep Dialogue": In the future, a psychiatric hospital is conducting a study on schizophrenia. The four participants threw themselves into the self-absorbed performance, and they couldn't tell their true identities. Who was the doctor? Who is the patient?收起全部
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